Sarah Baker









2002 Goldsmiths College , MA , Fine Art

2001 San Francisco Art Institute, San Francisco , CA , BFA


2008 “Studs,” Bearspace Gallery, London

2007 “Duetto,” Art Monastery, Calvi dell' Umbria , Italy

2005 “Picture This,” Museum Dhondt-Dhaenens , Belgium (catalogue)

“VIP Collectors Screening: Sarah Baker, A Portrait of Bill May,” LOOP, Barcelona

“A Portrait of Bill May,” 1 000 000 mph project space, London


“Collection of Wilfried Cooreman,” Museum Dhondt-Dhaenens , Belgium (catalogue)

“ UK Shorts 1,” Birds Eye View Film Festival, ICA

“Year of the Ox,” Lates at V&A Museum , collaboration with Andy Hsu, curator: Jen Wu

“One of Us Cannot Be Wrong,” Centre for Contemporary Photography, Melbourne, curator: Karra Rees (catalogue)

“Three BY Three (2)”, Yinka Shonibare's Space, London

“Latitude,” NY CAMS, New York

“Correspondences,” City Gallery of Sindelfingen , Germany

“Videopanel 2008,” Stile der Stadt , Hamburg , Germany

“Brigitte Maria Mayer and Friends,” Krammig & Pepper Contemporary, Berlin

“Amass,” Boots Contemporary Art Space, St. Louis , USA

“Play,” Cello Factory, London , curator: Julia Alvarez

“Sugar & Spice,” Vegas Gallery, London , curator: Ken Pratt

“Space Invasion,” Riemergasse 4, Vienna , curator: temporarycontemporary

“Salon,” 1,000,000 mph Project Space, London , curator: Esther Windsor

“Latitude,” Fieldgate Gallery, London

“Simon & Sarah,” Platform, London

“Slider,” Cell projects, London

“8x8x8 LON/MSP/NYC,” The Soap Factory, Minneapolis

“Metropolis Rise,” CQL Design Center , Shanghai & DAIF 798 Space, Beijing , curator: temporarycontemporary (catalogue)

“Kollektor Wessel,” Future7, Berlin , Germany

“Ten on Fourth” Bendixen Contemporary Art, Copenhagen , Denmark

“Portraits- The View Behind the Make-up,” Anita Beckers, Frankfurt , Germany

“Oracle of Truth,” Aeroplastics, Brussels

“Boost in the Shell,” De Bond, Bruges , Belgium

“S1 Salon: Eurhythmy,” S1 Artspace, Sheffield , UK , curator: Michelle Cotton

“Centrefold; Afraid of What?,” Redux Gallery, London , curator: Reza Aramesh

“Cinderella,” Trailer, London

“Now is Good,” Northern Gallery for Contemporary Art, Sunderland , UK

“Bootleg,” Spitalfield Market, London , curators: Catharine Patha & Tom Morton

“Godzilla,” Trailer, London

“LA International Biennial Art Invitational,” New Exodus Gallery, Los Angeles


“Studs,” Deptford X commission, London

“The Birthday Party,” Sketch, London

“Baker Cake,” Vague Paper commission, Metropolitan Hotel, London

“Sarah Baker (Entourage),” Vague Paper commission, London

Sarah Baker, Tigra” Art Car Boot Fair commission, London

“Redskin Ball,” Arts Council England's Own Art commission

SB/VX 220” Art Car Boot Fair commission

“A Portrait of Bill May,” Arts Council England Individual Grant



Buzzine Magazine,
“Sarah Baker Presents Peaches,”
Buzzine Magazine, “Sarah Baker Interview,”, Emberly Modine

Amelia's Magazine,
“Sarah Baker,” Issue 10 A/W ‘08, Dearbhaile Kitt, pp 127-130, London
Time Out, “In The Studio, Sarah Baker,” September, Interview by Helen Sumpter, London
Useless Magazine, “STUDS (Sarah Baker Interviews Author Jackie Collins),” Issue 8, p52, London
Evening Standard, “The übercool are heading south, (Preview, Deptford X)” Marsha Dunstan, London
The Times, Top Five Galleries: Francis Bacon; Studs; Andy Warhol; Lucian Freud,” October 4, Rachel Campbell-Johnston, London
FLUX, “Studs by Sarah Baker,” Autumn Issue, p14 & p111, Mike Chavez-Dawson, UK
One of Us Cannot Be Wrong, catalogue, Centre for Contemporary Photography, Australia
M Magazine, “One of Us Cannot Be Wrong,” November 9, Melbourne
Sleek Magazine, “Sport Art: Sarah Baker,” # 19 Summer Issue, p61, Elisa Bilko, Berlin
Under/Current Magazine, “VIP Screening: The Stud,” Issue 1, pp20-23, Interview by Yannis Tsitsovits, London
Wound Magazine, Sarah Baker – It's My Party and I'll Star If I Want To,” January, pp246-253, Ken Pratt, London
Time Out, “Latitude” , No. 1902, Jan 31 st , Martin Coomer, London

MDD (Museum Dhondt-Dhaenens)
catalogue, “At Home with Sarah Baker,” Kathy Battista, pp 89-93, Belgium
Boost in the Shell, catalogue, Bruges Belgium
Cultural Hacking, Teil 3: The Art and Business of Cultural Hacking, Sarah Baker: LK” 2005, Springer Wien New York , Franz Liebl, p208-9
CANS (Chinese Art News), A Portrait of Bill May at 1,000,000 mph,” 1/2005 No. 84, Pan Kuangyi , Taiwan Sumpter , UK
The Daily Telegraph , July 5, 2004 , John Crowley, UK
Centrefold 3, Zoo Art Fair edition, 2004, UK
Metro, July 5, London , pg. 4
Contemporary Magazine, no. 26, UK , pgs. 55-56, Kathy Battista
i-D Magazine, May, UK , pg. 50
Arena Magazine , “ New Art Riot: Sarah Baker Leads the Art-Fashion Revolution,” May, UK , pgs. 17&35, Tom Morton
Sunderland Echo, Feb. 5, 2004 , Alistair Robinson, UK
Art Monthly, “Now is Good,” March, UK , pgs. 26-28 & back cover, ed. Martin Herbert
Centerfold 2, Scrapbook, London
The Guardian Guide , London , Feb. 7-13, pg. 37, ed. Robert Clark

Time Out
, London , July 23-30, pg. 23 & pg. 30, Bootleg
The Guardian Guide , London , July 26- Aug 1, pg. 35, Bootleg
[a-n] Magazine , “ I'm Desperate… Love Me!!!” London , March, pg. 8.



2009 London College of Communications, University of Arts , London

2008 London College of Communications, University of Arts , London

2007 Sotheby's Institute of Art , New York

“Local Operations: 1,000,000 mph, Salon, ” Serpentine Gallery, London

Sotheby's Institute of Art , London